Rating: 83 / 100 “In a year when several of synthwave’s founding artists have struggled to create quality music, Overvad delivers a meaningful tribute to the sounds of Synthwave 1.0. His intelligent and innovative approach to songwriting frequently surpasses the repetitive structure of his inspirations, offering a fresh reminder of what made synthwave great in the first place.”
Rating: 77 / 100 “There’s no denying the technical skill and innovation displayed on Monochrome, which is consistently high throughout the recording, though the album’s brilliance is occasionally curbed by minimal verse compositions, a syrup-glazed vocal delivery, and reliance on uncomplicated hooks. Monochrome reveals its boldest colors when the instrumental compositions are allowed to speak for themselves.”
Rating: 92 / 100 “Retro enthusiasm radiates from the core of every song on Time Machine like the backdrop of a neon-hued discotheque. It beckons to the listener with infectious funk rhythms, brassy synthesizer melodies, and an irrepressibly positive attitude.”
Rating: 97 / 100 “The immaculate and spacious sound production gives every song the audio strength of a titan, and Isidor’s brilliant songwriting exploits the potential to its fullest. 3218 delivers numerous rich and rewarding compositions that tower over the efforts of lesser songwriters.”
Rating: 95 / 100 “An assortment of nostalgic effects and melodies form the foundation of a modern musical artifact that is genuinely retro without pandering to generic commercial sensibilities. The song entries are packed with elegant and memorable moments, and they canvas the recording’s running length to create a true synthwave space epic.”
Rating: 47 / 100 Seas of Infiinity feels like an EP that’s been artificially stretch to a full-length album with non-songs and repetitive filler tracks
Rating: 88 / 100 “The flawless sound production and detailed technical execution are enhanced by a host of guest artists who create unique and memorable songs, some with stellar vocal performances, and the resulting effort is one of the best the genre has seen.”
Rating: 93 / 100. “The history of Nightstop’s music, and indeed the breadth of the genre, is synthesized into a carefully paradoxical musical journey that is both beautiful and dangerous, club-friendly and introspective. Musically, it is a dancing killer.”
A homogenized lump of soft synthwave with few interesting moments.
Bold experimentation and a commitment to nostalgia help Eighties Kids stands out as a modern synthwave gem.